Vol. 7 · FRIDAY, JULY 10, 2026
Est. 2020 Contribute

“Be Remarkable”

Entrepreneurs · 2 min

A Hollywood Costume Collection Finds a New Home

When Debbie Reynolds' son walked into her vintage shop asking if she wanted any old movie wardrobe, Tamara Stavrianoudakis had no idea what she was about to see.

— By Ben Deveran · JUNE 15, 2026 —
Tamara Stavrianoudakis

Tamara Stavrianoudakis

Tamara Stavrianoudakis has spent years running a vintage store stocked with the kind of furs, gowns, and one-of-a-kind pieces that don’t come from any wholesale catalog. Even so, nothing quite prepared her for the day a stranger walked in and casually asked if she wanted any old movie costumes.

An unusual customer

The man was Debbie Reynolds’ son. The actress — one of Hollywood’s most prolific collectors of film wardrobe and memorabilia — had spent decades acquiring costumes from productions across the industry. Her son was looking for somewhere to place pieces from that collection, and he’d wandered into Stavrianoudakis’s shop with a simple question: any interest in furs, or wardrobe used in movies his mother had collected?

Stavrianoudakis said yes before she’d fully processed what she was agreeing to.

Inside the warehouse

He invited her out to see the collection in person. What she found wasn’t a few boxes of odds and ends — it was warehouses of costumes and wardrobe from some of the most recognizable films ever made, including pieces connected to Gone with the Wind and Forrest Gump. Stavrianoudakis has described the feeling in the simplest possible terms: like a kid in a candy store, surrounded by more history than she could take in at once.

Keeping the pieces in circulation

For a shop built on finding things that don’t exist anywhere else, the acquisition wasn’t just a windfall — it was exactly the kind of provenance that vintage collecting is built around. A costume is one thing; a costume with a documented line back to a specific film and a specific icon’s personal collection is another entirely.

Stavrianoudakis has spent the time since figuring out how to bring those pieces to customers who’ll actually appreciate what they’re holding, rather than treating a find like that as a private trophy. It’s a small window into how much film history exists just off-set, in someone’s garment bags and storage units, waiting for the right person to ask the right question — or, in this case, waiting for someone to walk into a vintage shop and just ask.

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